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GermsFORMS, qualities, lives, humanity, language, thoughts,The ones known, and the ones unknown—the ones on the stars,The stars themselves, some shaped, others unshaped,Wonders as of those countries—the soil, trees, cities, inhabitants, whatever they may be,Splendid suns, the moons and rings, the countless combinations and effects;Such-like, and as good as such-like, visible here or anywhere, stand provided for in a handful of space, which I extend my arm and half enclose with my hand;That contains the start of each and all—the virtue, the germs of all.
poem by Walt Whitman
I Sit and Look OutI SIT and look out upon all the sorrows of the world, and upon all oppression and shame;I hear secret convulsive sobs from young men, at anguish with themselves, remorseful after deeds done;I see, in low life, the mother misused by her children, dying, neglected, gaunt, desperate;I see the wife misused by her husband—I see the treacherous seducer of young women;I mark the ranklings of jealousy and unrequited love, attempted to be hid—I see these sights on the earth;I see the workings of battle, pestilence, tyranny—I see martyrs and prisoners;I observe a famine at sea—I observe the sailors casting lots who shall be kill’d, to preserve the lives of the rest;I observe the slights and degradations cast by arrogant persons upon laborers, the poor, and upon negroes, and the like;All these—All the meanness and agony without end, I sitting, look out upon,See, hear, and am silent.
poem by Walt Whitman
Long I Thought that Knowledge
LONG I thought that knowledge alone would suffice me—O if I could but obtain
knowledge!
Then my lands engrossed me—Lands of the prairies, Ohio’s land, the southern
savannas,
engrossed me—For them I would live—I would be their orator;
Then I met the examples of old and new heroes—I heard of warriors, sailors, and all
dauntless persons—And it seemed to me that I too had it in me to be as dauntless as
any—and would be so;
And then, to enclose all, it came to me to strike up the songs of the New World—And
then I
believed my life must be spent in singing;
But now take notice, land of the prairies, land of the south savannas, Ohio’s land,
Take notice, you Kanuck woods—and you Lake Huron—and all that with you roll
toward
Niagara—and you Niagara also,
And you, Californian mountains—That you each and all find somebody else to be your
singer
of songs,
For I can be your singer of songs no longer—One who loves me is jealous of me, and
withdraws me from all but love,
With the rest I dispense—I sever from what I thought would suffice me, for it does
not—it is now empty and tasteless to me,
I heed knowledge, and the grandeur of The States, and the example of heroes, no more,
I am indifferent to my own songs—I will go with him I love,
It is to be enough for us that we are together—We never separate again.
poem by Walt Whitman
Out of the Cradle Endlessly Rocking
1
OUT of the cradle endlessly rocking,
Out of the mocking-bird’s throat, the musical shuttle,
Out of the Ninth-month midnight,
Over the sterile sands, and the fields beyond, where the child, leaving his bed, wander’d
alone, bare-headed, barefoot,
Down from the shower’d halo,
Up from the mystic play of shadows, twining and twisting as if they were alive,
Out from the patches of briers and blackberries,
From the memories of the bird that chanted to me,
From your memories, sad brother—from the fitful risings and fallings I heard,
From under that yellow half-moon, late-risen, and swollen as if with tears,
From those beginning notes of sickness and love, there in the transparent mist,
From the thousand responses of my heart, never to cease,
From the myriad thence-arous’d words,
From the word stronger and more delicious than any,
From such, as now they start, the scene revisiting,
As a flock, twittering, rising, or overhead passing,
Borne hither—ere all eludes me, hurriedly,
A man—yet by these tears a little boy again,
Throwing myself on the sand, confronting the waves,
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them—but swiftly leaping beyond them,
A reminiscence sing.
2
Once, Paumanok,
When the snows had melted—when the lilac-scent was in the air, and the Fifth-month grass
was
growing,
Up this sea-shore, in some briers,
Two guests from Alabama—two together,
And their nest, and four light-green eggs, spotted with brown,
And every day the he-bird, to and fro, near at hand,
And every day the she-bird, crouch’d on her nest, silent, with bright eyes,
And every day I, a curious boy, never too close, never disturbing them,
Cautiously peering, absorbing, translating.
3
Shine! shine! shine!
Pour down your warmth, great Sun!
While we bask—we two together.
Two together!
Winds blow South, or winds blow North,
Day come white, or night come black,
Home, or rivers and mountains from home,
Singing all time, minding no time,
While we two keep together.
4
Till of a sudden,
May-be kill’d, unknown to her mate,
One forenoon the she-bird crouch’d not on the nest,
Nor return’d that afternoon, nor the next,
Nor ever appear’d again.
And thenceforward, all summer, in the sound of the sea,
And at night, under the full of the moon, in calmer weather,
Over the hoarse surging of the sea,
Or flitting from brier to brier by day,
I saw, I heard at intervals, the remaining one, the he-bird,
The solitary guest from Alabama.
5
Blow! blow! blow!
Blow up, sea-winds, along Paumanok’s shore!
I wait and I wait, till you blow my mate to me.
6
Yes, when the stars glisten’d,
All night long, on the prong of a moss-scallop’d stake,
Down, almost amid the slapping waves,
Sat the lone singer, wonderful, causing tears.
He call’d on his mate;
He pour’d forth the meanings which I, of all men, know.
Yes, my brother, I know;
The rest might not—but I have treasur’d every note;
For once, and more than once, dimly, down to the beach gliding,
Silent, avoiding the moonbeams, blending myself with the shadows,
Recalling now the obscure shapes, the echoes, the sounds and sights after their sorts,
The white arms out in the breakers tirelessly tossing,
I, with bare feet, a child, the wind wafting my hair,
Listen’d long and long.
Listen’d, to keep, to sing—now translating the notes,
Following you, my brother.
7
Soothe! soothe! soothe!
Close on its wave soothes the wave behind,
And again another behind, embracing and lapping, every one close,
But my love soothes not me, not me.
Low hangs the moon—it rose late;
O it is lagging—O I think it is heavy with love, with love.
O madly the sea pushes, pushes upon the land,
With love—with love.
O night! do I not see my love fluttering out there among the breakers?
What is that little black thing I see there in the white?
Loud! loud! loud!
Loud I call to you, my love!
High and clear I shoot my voice over the waves;
Surely you must know who is here, is here;
You must know who I am, my love.
Low-hanging moon!
What is that dusky spot in your brown yellow?
O it is the shape, the shape of my mate!
O moon, do not keep her from me any longer.
Land! land! O land!
Whichever way I turn, O I think you could give me my mate back again, if you only
would;
For I am almost sure I see her dimly whichever way I look.
O rising stars!
Perhaps the one I want so much will rise, will rise with some of you.
O throat! O trembling throat!
Sound clearer through the atmosphere!
Pierce the woods, the earth;
Somewhere listening to catch you, must be the one I want.
Shake out, carols!
Solitary here—the night’s carols!
Carols of lonesome love! Death’s carols!
Carols under that lagging, yellow, waning moon!
O, under that moon, where she droops almost down into the sea!
O reckless, despairing carols.
But soft! sink low;
Soft! let me just murmur;
And do you wait a moment, you husky-noised sea;
For somewhere I believe I heard my mate responding to me,
So faint—I must be still, be still to listen;
But not altogether still, for then she might not come immediately to me.
Hither, my love!
Here I am! Here!
With this just-sustain’d note I announce myself to you;
This gentle call is for you, my love, for you.
Do not be decoy’d elsewhere!
That is the whistle of the wind—it is not my voice;
That is the fluttering, the fluttering of the spray;
Those are the shadows of leaves.
O darkness! O in vain!
O I am very sick and sorrowful.
O brown halo in the sky, near the moon, drooping upon the sea!
O troubled reflection in the sea!
O throat! O throbbing heart!
O all—and I singing uselessly, uselessly all the night.
Yet I murmur, murmur on!
O murmurs—you yourselves make me continue to sing, I know not why.
O past! O life! O songs of joy!
In the air—in the woods—over fields;
Loved! loved! loved! loved! loved!
But my love no more, no more with me!
We two together no more.
8
The aria sinking;
All else continuing—the stars shining,
The winds blowing—the notes of the bird continuous echoing,
With angry moans the fierce old mother incessantly moaning,
On the sands of Paumanok’s shore, gray and rustling;
The yellow half-moon enlarged, sagging down, drooping, the face of the sea almost
touching;
The boy extatic—with his bare feet the waves, with his hair the atmosphere dallying,
The love in the heart long pent, now loose, now at last tumultuously bursting,
The aria’s meaning, the ears, the Soul, swiftly depositing,
The strange tears down the cheeks coursing,
The colloquy there—the trio—each uttering,
The undertone—the savage old mother, incessantly crying,
To the boy’s Soul’s questions sullenly timing—some drown’d secret hissing,
To the outsetting bard of love.
9
Demon or bird! (said the boy’s soul,)
Is it indeed toward your mate you sing? or is it mostly to me?
For I, that was a child, my tongue’s use sleeping,
Now I have heard you,
Now in a moment I know what I am for—I awake,
And already a thousand singers—a thousand songs, clearer, louder and more sorrowful than
yours,
A thousand warbling echoes have started to life within me,
Never to die.
O you singer, solitary, singing by yourself—projecting me;
O solitary me, listening—nevermore shall I cease perpetuating you;
Never more shall I escape, never more the reverberations,
Never more the cries of unsatisfied love be absent from me,
Never again leave me to be the peaceful child I was before what there, in the night,
By the sea, under the yellow and sagging moon,
The messenger there arous’d—the fire, the sweet hell within,
The unknown want, the destiny of me.
O give me the clew! (it lurks in the night here somewhere;)
O if I am to have so much, let me have more!
O a word! O what is my destination? (I fear it is henceforth chaos;)
O how joys, dreads, convolutions, human shapes, and all shapes, spring as from graves
around
me!
O phantoms! you cover all the land and all the sea!
O I cannot see in the dimness whether you smile or frown upon me;
O vapor, a look, a word! O well-beloved!
O you dear women’s and men’s phantoms!
A word then, (for I will conquer it,)
The word final, superior to all,
Subtle, sent up—what is it?—I listen;
Are you whispering it, and have been all the time, you sea-waves?
Is that it from your liquid rims and wet sands?
10
Whereto answering, the sea,
Delaying not, hurrying not,
Whisper’d me through the night, and very plainly before day-break,
Lisp’d to me the low and delicious word DEATH;
And again Death—ever Death, Death, Death,
Hissing melodious, neither like the bird, nor like my arous’d child’s heart,
But edging near, as privately for me, rustling at my feet,
Creeping thence steadily up to my ears, and laving me softly all over,
Death, Death, Death, Death, Death.
Which I do not forget,
But fuse the song of my dusky demon and brother,
That he sang to me in the moonlight on Paumanok’s gray beach,
With the thousand responsive songs, at random,
My own songs, awaked from that hour;
And with them the key, the word up from the waves,
The word of the sweetest song, and all songs,
That strong and delicious word which, creeping to my feet,
The sea whisper’d me.
All is Truth
O ME, man of slack faith so long!
Standing aloof—denying portions so long;
Only aware to-day of compact, all-diffused truth;
Discovering to-day there is no lie, or form of lie, and can be none, but grows as
inevitably
upon
itself as the truth does upon itself,
Or as any law of the earth, or any natural production of the earth does.
(This is curious, and may not be realized immediately—But it must be realized;
I feel in myself that I represent falsehoods equally with the rest,
And that the universe does.)
Where has fail’d a perfect return, indifferent of lies or the truth?
Is it upon the ground, or in water or fire? or in the spirit of man? or in the meat and
blood?
Meditating among liars, and retreating sternly into myself, I see that there are really no
liars or
lies after all,
And that nothing fails its perfect return—And that what are called lies are perfect
returns,
And that each thing exactly represents itself, and what has preceded it,
And that the truth includes all, and is compact, just as much as space is compact,
And that there is no flaw or vacuum in the amount of the truth—but that all is truth
without
exception;
And henceforth I will go celebrate anything I see or am,
And sing and laugh, and deny nothing.
poem by Walt Whitman

A Noiseless Patient Spider
A NOISELESS, patient spider,
I mark’d, where, on a little promontory, it stood, isolated;
Mark’d how, to explore the vacant, vast surrounding,
It launch’d forth filament, filament, filament, out of itself;
Ever unreeling them—ever tirelessly speeding them.
And you, O my Soul, where you stand,
Surrounded, surrounded, in measureless oceans of space,
Ceaselessly musing, venturing, throwing,—seeking the spheres, to connect them;
Till the bridge you will need, be form’d—till the ductile anchor hold;
Till the gossamer thread you fling, catch somewhere, O my Soul.
poem by Walt Whitman
In Midnight Sleep
1
IN midnight sleep, of many a face of anguish,
Of the look at first of the mortally wounded—of that indescribable look;
Of the dead on their backs, with arms extended wide,
I dream, I dream, I dream.
2
Of scenes of nature, fields and mountains;
Of skies, so beauteous after a storm—and at night the moon so unearthly bright,
Shining sweetly, shining down, where we dig the trenches and gather the heaps,
I dream, I dream, I dream.
3
Long, long have they pass’d—faces and trenches and fields;
Where through the carnage I moved with a callous composure—or away from the fallen,
Onward I sped at the time—But now of their forms at night,
I dream, I dream, I dream.
poem by Walt Whitman
To Foreign Lands
-I HEARD that you ask’d for something to prove this puzzle, the New World,
And to define America, her athletic Democracy;
Therefore I send you my poems, that you behold in them what you wanted.-
poem by Walt Whitman
I Hear America Singing
I HEAR America singing, the varied carols I hear;
Those of mechanics—each one singing his, as it should be, blithe and strong;
The carpenter singing his, as he measures his plank or beam,
The mason singing his, as he makes ready for work, or leaves off work;
The boatman singing what belongs to him in his boat—the deckhand singing on the steamboat
deck;
The shoemaker singing as he sits on his bench—the hatter singing as he stands;
The wood-cutter’s song—the ploughboy’s, on his way in the morning, or at the noon
intermission, or at sundown;
The delicious singing of the mother—or of the young wife at work—or of the girl sewing or
washing—Each singing what belongs to her, and to none else;
The day what belongs to the day—At night, the party of young fellows, robust, friendly,
Singing, with open mouths, their strong melodious songs.
poem by Walt Whitman
Thoughts
OF Public Opinion;
Of a calm and cool fiat, sooner or later, (How impassive! How certain and final!)
Of the President with pale face, asking secretly to himself, What will the people say
at
last?
Of the frivolous Judge—Of the corrupt Congressman, Governor, Mayor—Of such as
these,
standing helpless and exposed;
Of the mumbling and screaming priest—(soon, soon deserted;)
Of the lessening, year by year, of venerableness, and of the dicta of officers, statutes,
pulpits, schools;
Of the rising forever taller and stronger and broader, of the intuitions of men and women,
and
of self-esteem, and of personality;
—Of the New World—Of the Democracies, resplendent, en-masse;
Of the conformity of politics, armies, navies, to them and to me,
Of the shining sun by them—Of the inherent light, greater than the rest,
Of the envelopment of all by them, and of the effusion of all from them.
poem by Walt Whitman

Song at Sunset
SPLENDOR of ended day, floating and filling me!
Hour prophetic—hour resuming the past!
Inflating my throat—you, divine average!
You, Earth and Life, till the last ray gleams, I sing.
Open mouth of my Soul, uttering gladness,
Eyes of my Soul, seeing perfection,
Natural life of me, faithfully praising things;
Corroborating forever the triumph of things.
Illustrious every one!
Illustrious what we name space—sphere of unnumber’d spirits;
Illustrious the mystery of motion, in all beings, even the tiniest insect;
Illustrious the attribute of speech—the senses—the body;
Illustrious the passing light! Illustrious the pale reflection on the new moon in the
western
sky!
Illustrious whatever I see, or hear, or touch, to the last.
Good in all,
In the satisfaction and aplomb of animals,
In the annual return of the seasons,
In the hilarity of youth,
In the strength and flush of manhood,
In the grandeur and exquisiteness of old age,
In the superb vistas of Death.
Wonderful to depart;
Wonderful to be here!
The heart, to jet the all-alike and innocent blood!
To breathe the air, how delicious!
To speak! to walk! to seize something by the hand!
To prepare for sleep, for bed—to look on my rose-color’d flesh;
To be conscious of my body, so satisfied, so large;
To be this incredible God I am;
To have gone forth among other Gods—these men and women I love.
Wonderful how I celebrate you and myself!
How my thoughts play subtly at the spectacles around!
How the clouds pass silently overhead!
How the earth darts on and on! and how the sun, moon, stars, dart on and on!
How the water sports and sings! (Surely it is alive!)
How the trees rise and stand up—with strong trunks—with branches and leaves!
(Surely there is something more in each of the tree—some living Soul.)
O amazement of things! even the least particle!
O spirituality of things!
O strain musical, flowing through ages and continents—now reaching me and America!
I take your strong chords—I intersperse them, and cheerfully pass them forward.
I too carol the sun, usher’d, or at noon, or, as now, setting,
I too throb to the brain and beauty of the earth, and of all the growths of the earth,
I too have felt the resistless call of myself.
As I sail’d down the Mississippi,
As I wander’d over the prairies,
As I have lived—As I have look’d through my windows, my eyes,
As I went forth in the morning—As I beheld the light breaking in the east;
As I bathed on the beach of the Eastern Sea, and again on the beach of the Western Sea;
As I roam’d the streets of inland Chicago—whatever streets I have roam’d;
Or cities, or silent woods, or peace, or even amid the sights of war;
Wherever I have been, I have charged myself with contentment and triumph.
I sing the Equalities, modern or old,
I sing the endless finales of things;
I say Nature continues—Glory continues;
I praise with electric voice;
For I do not see one imperfection in the universe;
And I do not see one cause or result lamentable at last in the universe.
O setting sun! though the time has come,
I still warble under you, if none else does, unmitigated adoration.
poem by Walt Whitman
For Him I Sing
(As some perennial tree, out of its roots, the present on the past:)
With time and space I him dilate—and fuse the immortal laws,
To make himself, by them, the law unto himself.
poem by Walt Whitman
As I Ponder’d in Silence
1
AS I ponder’d in silence,
Returning upon my poems, considering, lingering long,
A Phantom arose before me, with distrustful aspect,
Terrible in beauty, age, and power,
The genius of poets of old lands,
As to me directing like flame its eyes,
With finger pointing to many immortal songs,
And menacing voice, What singest thou? it said;
Know’st thou not, there is but one theme for ever-enduring bards?
And that is the theme of War, the fortune of battles,
The making of perfect soldiers?
2
Be it so, then I answer’d,
I too, haughty Shade, also sing war—and a longer and greater one than
any,
Waged in my book with varying fortune—with flight, advance, and
retreat—Victory deferr’d and wavering,
(Yet, methinks, certain, or as good as certain, at the last,)—The
field the world;
For life and death—for the Body, and for the eternal Soul,
Lo! too am come, chanting the chant of battles,
I, above all, promote brave soldiers.
poem by Walt Whitman
O Captain! My Captain!
1
O CAPTAIN! my Captain! our fearful trip is done;
The ship has weather'd every rack, the prize we sought is won;
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring:
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.
2
O Captain! my Captain! rise up and hear the bells;
Rise up-for you the flag is flung-for you the bugle trills;
For you bouquets and ribbon'd wreaths-for you the shores a-crowding;
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head;
It is some dream that on the deck,
You've fallen cold and dead.
3
My Captain does not answer, his lips are pale and still;
My father does not feel my arm, he has no pulse nor will;
The ship is anchor'd safe and sound, its voyage closed and done;
From fearful trip, the victor ship, comes in with object won;
Exult, O shores, and ring, O bells!
But I, with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
poem by Walt Whitman
To you
STRANGER! if you, passing, meet me, and desire to speak to me, why should you
not speak to me?
And why should I not speak to you?
poem by Walt Whitman